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Fred McDarrah

One Day at "The Factory"

March 11 – April 19, 2025

Fred McDarrah, Cecil Beaton photographing Andy Warhol with Factory movie stars.  Left to right: Ingrid Superstar, Candy Darling, UltraViolet, (unidentified woman), and Brigid Polk. April 26, 1969.

Fred McDarrah

Cecil Beaton photographing Andy Warhol with Factory movie stars.  Left to right: Ingrid Superstar, Candy Darling, UltraViolet, (unidentified woman), and Brigid Polk. April 26, 1969.

16 x 20 inch RC print

Signed and titled on recto

Fred McDarrah, Cecil Beaton photographing Andy Warhol with Jed and Jay Johnson. April 26, 1969.

Fred McDarrah

Cecil Beaton photographing Andy Warhol with Jed and Jay Johnson. April 26, 1969.

16 x 20 inch silver gelatin print

Signed and titled on recto

SOLD

Fred McDarrah, Andy Warhol with Jed and Jay Johnson. April 26, 1969. 

Fred McDarrah

Andy Warhol with Jed and Jay Johnson. April 26, 1969. 

11 x 14 inch vintage silver gelatin print

Signed and titled on recto

Fred McDarrah, Andy Warhol with Jed and Jay Johnson. April 26, 1969. 

Fred McDarrah

Andy Warhol with Jed and Jay Johnson. April 26, 1969. 

16 x 20 inch RC print

Signed and titled on recto

Fred McDarrah, Factory Superstars Candy Darling, Ultra Violet, Brigid Polk, Andy Warhol. April 24, 1969

Fred McDarrah

Factory Superstars Candy Darling, Ultra Violet, Brigid Polk, Andy Warhol. April 24, 1969

16 x 20 inch RC print

Signed and titled on recto

Fred McDarrah, Andy Warhol’s “15 minute” superstars photographed at Union Square Factory, April 24, 1969, for Cecil Beaton’s New York exhibition of portraits. Candy Darling (hand on chin).

Fred McDarrah

Andy Warhol’s “15 minute” superstars photographed at Union Square Factory, April 24, 1969, for Cecil Beaton’s New York exhibition of portraits. Candy Darling (hand on chin).

16 x 20 inch RC print

Signed and titled on recto

Fred McDarrah, Andy Warhol with Bolex in Factory, September 5, 1964.

Fred McDarrah

Andy Warhol with Bolex in Factory, September 5, 1964.

16 x 20 inch silver gelatin print

Signed and titled on recto

Fred McDarrah, Friends of Andy Warhol Factory pose for Charles Henri Ford’s book of poetry “Silver Flower Koo”, March 6, 1968.

Fred McDarrah

Friends of Andy Warhol Factory pose for Charles Henri Ford’s book of poetry “Silver Flower Koo”, March 6, 1968.

16 x 20 inch RC print

Signed and titled on recto

Fred McDarrah, Viva with Joe Spencer in Andy Warhol’s “Bike Boy”, November 3, 1967. Filmed August 1967, opened at the Hudson Theatre October 5, 1967.

Fred McDarrah

Viva with Joe Spencer in Andy Warhol’s “Bike Boy”, November 3, 1967. Filmed August 1967, opened at the Hudson Theatre October 5, 1967.

16 x 20 inch silver gelatin print

Signed and titled on recto

Press Release

Fred McDarrah – One Day at “The Factory”.

Fred W. McDarrah (1926-2007) was an American staff photographer for The Village Voice, famous for documenting the social and cultural phenomena of the New York scene in the pivotal decades of the '50s, '60s, and '70s.

As the sole staff photographer at The Village Voice McDarrah chronicled the downtown world of New York with unrivalled intimacy and access.  Many of the artists, musicians, and actors McDarrah photographed were or would become cultural icons: Kerouac, Dylan, Joplin, Steinem, Arbus, Candy Darling, and starting in 1964 – the rising art star Andy Warhol.

Over the ensuing years McDarrah photographed Warhol frequently and when in 1969 Warhol invited him to come to what was known as “The Factory” to photograph the visit of the celebrated photographer Cecil Beaton, it seemed a worthwhile opportunity.

Warhol’s Factory was more than just an art space—it was a cultural hub, a meeting point for artists, musicians, filmmakers, drag queens, socialites, and hangers on. It was here that Warhol transformed not only how artists were viewed, but the very notion of fame itself.   Present that day along with Beaton were the Johnson twins – Jed (Andy’s boyfriend), Jay (an up and coming model) - Brigid Polk (an artist and Warhol confidante), and  various others who made up what Warhol dubbed his “superstars”.

McDarrah’s keen eye and intimate access allow us a rare, behind-the-scenes look at Warhol’s world—capturing the raw energy, cool look, and distinctive personalities that made The Factory a touchstone of 1960s counterculture.

These images, along with several taken of Warhol at different times over the previous years exhibit McDarrrah’s trademark directness and the immediacy of documentary photography while bringing to life the era's experimental spirit and Warhol’s own enigmatic approach to art , life, and fame