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KAREN KNORR

Animals

2020 - 2021

Interloper, Sheesh Mahal, Udaipur City Palace, 2019, 23.5 x 30 inch pigment print - Edition of 5

Interloper, Sheesh Mahal, Udaipur City Palace, 2019

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Ganesha's Mount, Chavii Niwas, Jaipur, 2020, 23.5 x 30 inch pigment print - Edition of 5

Ganesha's Mount, Chavii Niwas, Jaipur, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

A Faithful Companion, Samode Palace, 2020, 30 x 23.5 inch pigment print - Edition of 5

A Faithful Companion, Samode Palace, 2020

30 x 23.5 inch pigment print - Edition of 5

60 x 48 inch pigment print - Edition of 5

Friends in Need, Juna Mahal, Dungarpur Palace, 2020, 23.5 x 30 inch pigment print - Edition of 5

Friends in Need, Juna Mahal, Dungarpur Palace, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Guarding Honour, Kota City Palace, Kota, 2020, 23.5 x 30 inch pigment print - Edition of 5

Guarding Honour, Kota City Palace, Kota, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Tiger Breath, Sheesh Mahal, Amer Fort, 2020, 23.5 x 30 inch pigment print - Edition of 5

Tiger Breath, Sheesh Mahal, Amer Fort, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

A Moment of Solitude, Amer fort, Amer, 2021, 23.5 x 30 inch pigment print - Edition of 5

A Moment of Solitude, Amer fort, Amer, 2021

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

The Battle Gallery, 2020, 30 x 23.5 inch pigment print

The Battle Gallery, 2020

30 x 23.5 inch pigment print

60 x 48 inch pigment print

A Prince in Waiting, Manak Mahal, Udaipur City Palace, 2020, 23.5 x 30 inch pigment print - Edition of 5

A Prince in Waiting, Manak Mahal, Udaipur City Palace, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Reconciliation, Poddar Haveli, Nawalgarh, 2020, 23.5 x 30 inch pigment print

Reconciliation, Poddar Haveli, Nawalgarh, 2020

23.5 x 30 inch pigment print

48 x 60 inch pigment print

The Locust Eater, Udaipur City Palace, 2020, 23.5 x 30 inch pigment print - Edition of 5

The Locust Eater, Udaipur City Palace, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Becoming Xian, Manna Hall, Dacien Temple, Xi'an, 2019, 23.5 x 30 inch pigment print - Edition of 5

Becoming Xian, Manna Hall, Dacien Temple, Xi'an, 2019

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Morning Glory, Grand Mosque, Abu Dhabi, 2019, 23.5 x 30 inch pigment print - Edition of 5

Morning Glory, Grand Mosque, Abu Dhabi, 2019

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

The Way of Ishq, Grand Mosque, Abu Dhabi, 2019, 23.5 x 30 inch pigment print - Edition of 5

The Way of Ishq, Grand Mosque, Abu Dhabi, 2019

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

The Alchemy of Happiness, Alhambra, Seville, 2020, 23.5 x 30 inch pigment print - Edition of 5

The Alchemy of Happiness, Alhambra, Seville, 2020

23.5 x 30 inch pigment print - Edition of 5

48 x 60 inch pigment print - Edition of 5

Press Release

KAREN KNORR'S ANIMALS, 2020 - 2021

One thing that has been noted about lockdown life is that for many artists it has been an unusually productive year.  At a time like this, the creative urge is an imperative, a comfort, and a means of communication – and for Karen Knorr, who the gallery has represented for over a decade, it has been one of the most fruitful years in which not only has she created an unusual number of new works but she has used social media and her art to raise significant sums to support other artists in need.

After a successful career starting in the 1970s blending social documentary and conceptual practice, in 2008 Knorr began her acclaimed “India Song” series after a life-changing trip through Rajasthan. Knorr’s meticulously crafted images placed native animals in ravishing Indian interiors creating their own fictional and metaphorical narratives and using the most refined applications of Photoshop to essentially bring the creative process of painting to photography.  For photographers in the new digital world, if you could imagine it you could create it.  But it could only succeed as what  would generally be considered a “valid” work of art rather than a gimmick if it was executed with originality, seriousness, the utmost skill, and the highest leap of imagination.  Knorr’s pictures succeed on all these levels.

While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work.  We humans are unique in our drive to create and engage with the arts.  Going back to the earliest cave paintings at Lascaux in France, at Sulawesi in Indoneisa, and Laas Gaal in Somalia we see that ancient humans not only recorded their lives through art, but they also used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed prehistoric cave painters to Karen Knorr.

We define our human experience by the culture we create and the culture we enjoy and Knorr’s animals gift us with a unique and original expression of what it means to be human, and to see hope and optimism and beauty in art.