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Matthew Porter

This Is How It Ends

September 24 – October 30, 2020

Matthew Porter: This Is How It Ends, Installation View
Matthew Porter, Left: Middle Distance, 2020 
Matthew Porter, Left: Resting, 2020 
Matthew Porter , Left: Stoplight, 2020 
Matthew Porter, Left: Woman W/ Phone, 2020 
Matthew Porter, Left: Hand, 2020 
Matthew Porter, Left: Shadow, 2020 
Matthew Porter, Left: Stoplight 2, 2020 
Matthew Porter, Left: Doubt, 2020 
Matthew Porter, Left: Conversation, 2020 
Matthew Porter, Left: Tangle, 2020 
Matthew Porter, Left: Lost Distance, 2020 
Matthew Porter, Left: Skyline, 2020 
Matthew Porter, Left: Distant Figure, 2020 
Matthew Porter, Left: Warm Ending, 2020 
Matthew Porter, Left: Happy, 2020 
Matthew Porter, Left: Untitled #31, 2020 
Matthew Porter, Left: Cover To Hear, 2020 
Matthew Porter, Left: Untitled #35, 2020 
Matthew Porter, Left: Shredded Fronds, 2020 
Matthew Porter, Sun Street, 2020
Matthew Porter, Alta Vista, 2020
Matthew Porter, Doubt, 2020
Matthew Porter, Barbed Wire, 2020
Matthew Porter, Outdoor Essentials, 2020
Matthew Porter, Distant Figure, 2020
Matthew Porter, Resting, 2020
Matthew Porter, Collapsible Background, 2020
Matthew Porter, Skyline, 2020
Matthew Porter, Woman w/ Phone, 2020
Matthew Porter, Stoplight, 2020
Matthew Porter, Privacy, 2020
Matthew Porter, Firebird, 2020
Matthew Porter, Silhouettes, 2020
Matthew Porter, Lost Distance, 2020
Matthew Porter, Nova, 2020
Matthew Porter, Blue Jungle, 2020
Matthew Porter, Warm Ending, 2020
Matthew Porter, Shredded Fronds, 2020
Matthew Porter, Tower, 2020
Matthew Porter, Departure, 2020
Matthew Porter, Hand, 2020
Matthew Porter, Alley, 2020
Matthew Porter, Tangle, 2020
Matthew Porter, Running, 2020
Matthew Porter, Lean, 2020
Matthew Porter, Blue Tower, 2020
Matthew Porter, Blue City, 2020
Matthew Porter, Call, 2020
Matthew Porter, Directing, 2020
Matthew Porter, Peach Horizon, 2020
Matthew Porter, Down Glow, 2020
Matthew Porter, Rear View, 2020
Matthew Porter, Links, 2020
Matthew Porter, Hold On, 2020
Matthew Porter, Don't Walk, 2020
Matthew Porter, Look Both Ways, 2020
Matthew Porter, Stoplight 2, 2020
Matthew Porter, Two Birds, 2020
Matthew Porter, Stay Together, 2020
Matthew Porter, Hold Hands, 2020
Matthew Porter, Bees, 2020
Matthew Porter, Shadow, 2020
Matthew Porter, Fence Gap, 2020
Matthew Porter, Median, 2020
Matthew Porter, Shield Your Face, 2020
Matthew Porter, Look Both Ways, 2020
Matthew Porter, Catch Your Breath, 2020
Matthew Porter, Turn In, 2020
Matthew Porter, Blue Sky, 2020
Matthew Porter, Service, 2020
Matthew Porter, Hold Tight, 2020
Matthew Porter, MP39, 2020
Matthew Porter, Dust, 2020
Matthew Porter, Only Looking, 2020
Matthew Porter, Louder, 2020
Matthew Porter, Dust Up, 2020
Matthew Porter, Street Lamp, 2020
Matthew Porter, No Parking, 2020
Matthew Porter, Gate, 2020
Matthew Porter, Detail, 2020
Matthew Porter, Hillside, 2020
Matthew Porter, Couple, 2020
Matthew Porter, Blue Sky, 2020
Matthew Porter, Tattered Fence, 2020
Matthew Porter, Glimpse, 2020
Matthew Porter, To Hear Better, 2020
Matthew Porter, MP54, 2020
Matthew Porter, MP55, 2020
Matthew Porter, MP56, 2020
Matthew Porter, MP57, 2020
Matthew Porter, MP60, 2020
Matthew Porter, MP61, 2020
Matthew Porter, Hill Top, 2020
Matthew Porter, Move, 2020
Matthew Porter, Corner, 2020
Matthew Porter, MP67, 2020
Matthew Porter, MP68, 2020
Matthew Porter, 11 Seconds, 2020
Matthew Porter, Passing, 2020
Matthew Porter, Crest, 2020
Matthew Porter, Touch Compliance, 2020
Matthew Porter, Sun Setting, 2020
Matthew Porter, Look Left, 2020

Press Release

MATTHEW PORTER

“This Is How It Ends”

September 24 – October 30, 2020

October hours are by appointment only. 

Danziger Gallery is pleased to present our first solo show of works by Matthew Porter – an installation of 84 prints titled “This Is How It Ends”.

As with much of Porter’s work, the accumulation of images creates an experience of cinematic romanticism tempered by the realities of our time and an underlying mood of concern. A naturally gifted image maker, the light and color of Porter’s pictures, often shot at dusk in and around New York and Los Angeles, create beautiful images while the subject of many of the pictures – cages, barriers, people on phones – convey the anxiety of life in the Covid era we live in.

Porter’s pictures – which mix fact and fiction - are at times amalgamations of location shots and studio shots to create the image Porter wants. However the aim of the work is to create a mood that is as truthful to reality as the “sunshine noir” that Porter describes allows. In a world where muscle cars fly over deserted streets and a phone is not just a phone but a weapon, Porter’s graphic eye makes a strong case for the contemplative image in a picture-saturated culture. 

If the show title sounds pessimistic, it is, but it also allows for the possibility of a new beginning. Consider the yellow skies not just as prescient images of the fiery west coast skies but as hailing a new dawn. The hovering cars not just as escapes from a dystopian present but as augurs of hope. Much can be read into the title, but for artists along with the rest of the world, Covid has presented a reckoning that Porter has chosen to confront head-on.

Matthew Porter (b. 1975, Pennsylvania) received his BA from Bard College in 1998 and his MFA from Bard-ICP in 2006. His work has been exhibited in galleries in New York, Los Angeles, Paris and London, including “Under Construction – New Positions in American Photography” at FOAM Museum in Amsterdam; “After Photoshop” at The Metropolitan Museum of Art, New York; and “Perspective” at the International Center of Photography, New York.

For more information please e-mail: info@danzigergallery.com