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Wonderful Lies - A Summer Show

July 7 – August 14, 2015

 Corinne Vionnet, Al-Gizah, 2014
 Robert Toren, Frida/Patti (After Imogen Cunningham and Robert Mapplethorpe, 2013
 Farrah Karapetian, The Three Muses, 2014
 Will Adler, Tahiti, 2009
  , Jim Krantz, Epic Western #5, 2015
 Christopher Bucklow, Tetrarch 10:34 am, July 20, 2008
 Jack Pierson, Untitled Collage (JP1), 1998
 Enoc Perez, Untitled, 2015
 Liz Nielsen, Untitled
 Liz Nielsen, Dinosaur Egg
 Susan Derges, Descending Moon Bridge, 2013
 Enoc Perez, Untitled, 2015
 Enoc Perez, Untitled, 2015
 Thierry Cohen, San Francisco 37° 48’ 30’’ N 2010-10-09 1st 20:58
 Will Adler, Girls in Baja, 2014
 Karen Knorr, Solitude of the Soul, Udaipur City Palace, 2011
 Karen Knorr, Attaining Moksha, Ajanta Caves, Ajanta, 2011
 Michael Light, Golden State Freeway Looking Southeast Over San Fernando Pass
 Hendrik Kerstens, Cream, 2015
 Hendrik Kerstens, Mop, 2014
 Ian Ruhter, Tunnel View Yosemite, 2012
 Hisaji Hara, A Study of "The Salon", 2009
 Susan Derges, Star Field Bridge, 2013
 Karen Knorr, Bakhti and the Path of Saints, Shiva Temple, Hampi, 2012
 Hendrik Kerstens, Napkin, February 2009
 Corinne Vionnet, Agra, from the series "Photo Opportunities"
 Corinne Vionnet, Mecca, from the series "Photo Opportunities"
 Liz Nielsen, Canoe
 Christopher Bucklow, Tetrarch 12:59 pm, September 23, 2011
Wonderful Lies - A Summer Show
Wonderful Lies - A Summer Show
Wonderful Lies - A Summer Show
Wonderful Lies - A Summer Show
Wonderful Lies - A Summer Show
Wonderful Lies - A Summer Show

Press Release


Wonderful Lies – A Summer Show

July 7 – August 14, 2015

For our 25th summer show, the gallery is presenting a group show of gallery artists that looks at the way much of today’s photography can be both wonderful - and a lie. Through the use of Photoshop, digital printing, and the increasing movement of the medium towards the subjective – photographers are more than ever constructing, conceptualizing, and experimenting with process and scale. 

Rather than being a medium dedicated to observing and recording the world as it appears before the camera, much of the most interesting work being done today deals with innovative ideas and fictions.  Some bounce off the internet (Corinne Vionnet), others engage more pointedly with the history of painting (Hendrik Kerstens and Hisaji Hara), while others respond to the end of production of their original materials by finding innovative new means of production (Susan Derges and Christopher Bucklow).

All this has ushered in a new chapter in photography where wondrous and magical images are being created.  Karen Knorr places fearsome animals in opulent Indian interiors.  Thierry Cohen reunites the no longer visible starry skies with their home cities.  Robert Toren creates an impossible but totally plausible mash-up of two icons.  Farrah Karapetian creates vibrant life size cameraless works of musicians and instruments that hum with energy and color.

Blending mediums, Liz Nielsen combines photogram with collage while Enoc Perez layers hand cut and painted shapes onto images that women have posted of themselves on social media.  Jim Krantz’s heroic cowboys and Ian Ruhter’s large scale collodion prints continue to propagate their own western myths while aerial photographer Michael Light and surf photographer Will Adler bring a luminous modernist perspective to land and water. 

Recognizing that photography has no claim to the truth need not be seen as discrediting the medium but rather as opening the doors to the freedom of imagination.